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Standard Paintbrush

  1. Client

    SHOP Cooper Hewitt, Smithsonian Design Museum

  2. Development

    We were asked by SHOP Cooper Hewitt, Smithsonian Design Museum to design a tool for sale to coincide with the museum's show "Tools: Extending Our Reach". In response to this prompt, we approached the classic paintbrush.

    Working with a paintbrush manufacturer and a CNC shop, we were able to develop a machined wood paintbrush that is a useful progression of the archetypal paintbrush one would find at a local hardware store. The sculpted end allows it to open paint cans, so that the painter can get to work right away. The body is shaped so that one can comfortably hold the brush in a variety of painting and opening positions.

    The Standard Paintbrush is produced in a limited run, created exclusively for SHOP Cooper Hewitt, Smithsonian Design Museum.

  3. Materials

    Wood, Ox Hair Blend Brush

Plus Coat Stand

  1. Client

    Kontextür

  2. Development

    The Plus coat stand uses the iconography of the '+' and the 'o' signs to hang and to hold one’s coats and umbrellas. This object simplifies the process of arriving home, allowing for one place to gather one’s belongings. In the same way that the '+' and the ‘o’ work together, so do the materials. The wood, steel and rubber form an efficient structure allowing for lightness to combine with usefulness. The horizontal ‘+’ at the top uses rubber caps to ensure that garments stay on, deviating in form from traditional hook employing coat stands. This innovation to the archetype creates a product with new usefulness and value.

  3. Materials

    Steel, Wood, Rubber

  4. Press

    Leibal , Dailytonic , Mijlo , Design Milk

Arc Mirror

  1. Development

    The Arc Mirror is an object as intimate as the action it implies. It reflects the user while holding the objects that are part of the daily ritual. These objects are then emphasized by their own reflection which appears crystalline in the shelf space. The mirror displays an authentic materiality, allowing the stainless steel to become both reflective and structural. The hole can receive a coat-hanger or towel, and the mirror itself mounts with a simple bracket.

  2. Materials

    Stainless Steel

  3. Press

    Dailytonic , Design Milk

Ridge Kitchen

  1. Development

    Ridge Kitchen is a collection of porcelain tools for the kitchen. Made from a material true to the landscape of the kitchen, the surface conveys use through pattern and motion. This pattern acts as a visual and physical grip. The forms reference the language of the machine while being implemented into traditional kitchen products. These objects want to be as charming as they are useful.

    The pitcher serves two cups of liquid. The grooves on the mortar and pestle are perfect for the twisting motion required in grinding. The grater is specifically meant for ginger and garlic, modeled after traditional Japanese porcelain graters.

  2. Materials

    Porcelain

  3. Press

    Dezeen , Core 77 , Mocoloco , Dailytonic , Design Milk , Leibal , Architectural Digest Russia , Cretus Magazine , Monocle Magazine

Utility Mirror

  1. Client

    Good Thing

  2. Development

    The hand mirror is innately a personal object. One will always use this object alone, allowing them to appreciate it with each use. Glass mirrors are ephemeral in nature; by making the surface stainless steel and the handle rubber, the mirror speaks the language of utility and encourages use.

    The Utility Mirror is made by polishing a piece of stainless steel to a perfect mirror finish and dipping it in industrial rubber tool grip.

    Images by Alyssa Kirsten.

  3. Materials

    Stainless Steel, Rubber

  4. Press

    PIN-UP , Better Living Through Design

Linework System

  1. Client

    Artsy

  2. Development

    Furniture system designed for the central offices of Artsy, an online platform for discovering and collecting art. The objective was to design an office system that would allow for versatile storage as well as collaborative and personal work surfaces.

    Shelving holds the objects that we want out of the way, but available for continued use and on display for the convenience of others. When the structures that hold up our possessions utilize lightness, those structures allow the objects to speak for themselves and to communicate their meaning to the users.

    The Linework system elevates the objects that one chooses to fill the spaces with. The shape of the bookshelf frames the items which live in the space it creates. The shelving and desks derive functionality from linear elements combined with minimal surfaces in an efficient way. Less material creating an aesthetic and utilitarian impact.

    The desks are at various standing heights to provide a break from the traditional sedentary office culture. The free standing desk, as well as the bookcases, have a raised shelf below for storage of bags and personal items. This provides a space for objects that do not belong on the ground or the work surface. The spacing of the shelves on the bookcases are enlarged to allow for Artsy's extensive collection of art books.

  3. Materials

    Ash, Tubular Steel

  4. Press

    Dwell

Poolside Chair

  1. Development

    Outdoor and indoor chair that takes inspiration from the archetypal slatted deck chair; which is then elevated by complex formal geometries, sensitivity to ergonomics, and color.

  2. Materials

    Powder-coated Steel, Vinyl

  3. Press

    Casa Vogue , Lonny

Oaxaca Case

  1. Development

    The briefcase is an archetype with connotations of luxury and gentrification. This polypropylene case references the material and formal language of generic shopping baskets from grocery stores, where the pattern is derived from.

    The Oaxaca Case was created through two simple processes. The polypropylene sheet is laser cut, and then briefly scored by a CNC milling machine. By using living hinges it allows this two dimensional pattern to fold up and become a rigid structure. The scores on the sides allow the bag to flex open and closed. The piece quickly assembles and snaps together with polypropylene fasteners on the sides. By utilizing a sheet material, the product can be flat packed and shipped to either the retailer or the user, and easily assembled. This process results in the briefcase gaining value in both the production method and the application.

  2. Materials

    Polypropylene

  3. Press

    Core 77 , Design Milk , Trendland

Stepladder

  1. Development

    A wooden stepladder. The steps are angled to be parallel with the ground when in use, curved on the sides to allow the steel mechanism to fold, and routed with grooves to provide a grip for the user. Wood is chosen for its aesthetic qualities and steel for its structural qualities. The frame consists of two bent laminated components that are produced from the same mold, for ease of manufacturing.

  2. Materials

    Ash, Steel

  3. Press

    Wallpaper* Magazine's 2012 Graduate Directory , Design*Sponge

Suna Broom

  1. Development

    There is a connection between sweeping one's floor and raking the sand in a traditional Japanese Zen Garden. In these gardens it is not about the sand, it is about the act of raking and what one contemplates during this repetitive action. The broom works like this too; as a tool it interacts with the user on an emotional and utilitarian level.

    The goal was to make a better broom, even if only by a small contribution when considering that the broom is such a highly evolved object. The focus was on the idiosyncrasies that make sweeping cumbersome and often counter-intuitive. From here we developed a broom that acts as both hand-duster and broom. The pivoting head allows it to access all corners, it stands upright on its own, and it folds and is held vertically by a magnet for easy storage; the bristles will never see damage while not in use since the broom will not be resting on them.

  2. Materials

    Hard Maple, PVC

  3. Press

    Dezeen , Design Buzz

Utility Stool

  1. Development

    Derived from the formal study of a utilitarian object; this stool is practical and easy to understand, while maintaining a complex geometry. The U-shaped seat informs the user of the intended direction, while a hollow form is lightweight and the casters provide mobility.

  2. Materials

    Fiberglass, Felt